limited repress! vinyl only / hand stamped / 180g

rnb classics back to back on 7 inch.

two rnb classics on 7 inch vinyl.

mc willie the kid and producer v don team up again for their longplayer “deutsche marks”.

original motion picture soundtrack from the 1974 movie “foxy brown” back on vinyl.

another fantastic 4-tracker on copenhagens music for dreams label.

verge of tears is a new sub label for willie burns collaborations.

featuring jimi tenor on flute.

crotocosm is an occasional collaboration between jordan gcz (lushlyfe, off minor) and willie burns (black deer, wt records). tracks were recorded together live in amsterdam and brooklyn between 1996 and 2017 its a tip!

vinyl only limited

techno vibes by willie graff & tucillo and dj qu

another big motown dbl header

willie hutch wrote huge soul hits in the 60s and 70s (co-writing “i’ll be there” for the jackson 5) and released sixteen motown, whitfield and independent label solo releases between 1969 and 2002. from his period with norman whifield’s label through warner brother in 1978/79 he is best known for “easy does it”. arranged by gene page, it was previously issued only on 7” as a b-side to “come on and dance with me”, original copies now exchanging hands for large sums.

four tracks of ny-flavoured boogie and house goodness - quality is the key word from copenhagen based music for dreams and here is another home run. willie graff splits his year between dj residencies in new york and ibiza. in this new outing with studio partner darren eboli, the influence is, as the title suggests, clearly ny-based. over only four tracks, the pair manage to craft a stunningly comprehensive exploration of the essential elements of dance music. opening track -love flight- staggers into a lush string-driven groove that recalls the glory of metro area meets wally badarou vibes. minimal yet playful, it lounges somewhere in the depths of the house tradition, calling on familiar sounds while throwing in odd details along the way (harmonicas?). it takes both skill, devotion and a sense of humor to pull this track off, making for a strong opening. -moon tan- lingers on a metallic hook that drags you into a plethora of percussion followed by a rubbery soft baseline. dubby key work would suggest this was a new wave band jamming at compass point, while the icy chill of the xylophone transports you into 80s italo territory. -second sun- pulls out the bag of boogie tricks, relying on a firm but humble baseline and smattering drum machine claps. nile rodgers-style guitar licks guide us onwards into a well-orchestrated jam that builds up and breaks down with perfect timing while dreamy chords reach for the sky. -first light- keeps the groove tight while dipping over towards more balearic temperatures. steeped in a watery atmosphere and gentle organic percussion, it focuses in on a trance-inducing arpeggio that lulls you in to the swaying badarou-style synth swirls that intercept it.

nice price deal !!! single life. the a side is urgent, angry and slamming. djs with kahunas will be playing these. just let doesnt feel right ride. it murders 2nd try is straight up industrial bananas, cant wait to see what happens when this is played out. the b side is full of sadness, longing and regret. single life is the artists favourite cut of the ep and i think you should know that. still waters is probably what it feels like to feel like shit and dive into a deep reservoir in the middle of the night somewhere remote where you could just drown and die without anybody around to help you.

4 years after the conception of heist recordings with the break up to make up ep by label heads dam swindle, they deliver their 4th solo record and release no.26 for the label. on the cant hold it ep, the guys showcase their love for lush disco, analogue basslines and leftfield musicians, bringing in nyc native willie burns for a remix that shows you the darkest side of heist yet.

ltd 7 inch

ibiza’s dj pippi & willie graff kreieren zwei funky disco burner mit dem „magic feeling“, den die beiden balearic disco pioniere seit jahrzehnten auszeichnet. obendrauf gibt’s erstklassige remixe von ron basejam (aka crazy p) und siren (siren sind darshan jesrani von metro area und dennis kane aka citizen kane).

disco disco disco on 7 inch

after lamenting on the emotional baggage of hurricane katrina on his last single after the storm willie west offers another sonic angle on the city of new orleans, his place of birth. give it back is the closest example of mardi gras funk that willie has recorded since his cult classic said to myself on warner brothers from 1975

dolphin dance is the second release by d. briggs on the brooklyn based -stray current- label. on this limited run of 300 hand-stamped copies briggs combines driving dance beats with rough analog synth tones to create a set tunes that will move the floor. the title track has also been remixed by wt label owner willie burns. on his remix, burns strips the track down to the bone and drenches it in reverb, giving it a darker mood and a pummeling melody.

in 1978, famed latin jazz percussionist willie bobo released a promo-only 12” single featuring a “special disco version” of “always there”, a cut from his most recent album hell of an act to follow. pressed in extremely limited quantities and never available commercially, this 12” quickly became a highly sought-after rarity for djs and collectors. now, this lost treasure is back in print while supplies last, complete with an exclusive a new multitrack edit of “always there” from dj / crate-digger extraordinaire kon (bbe / soul clap) on the b-side. released in partnership with the bobo family, this official pressing revisits a dancefloor-ready masterpiece.

willie burns & dj overdose turn in a crackers-squat-houz jam, complete with a beat mix and a b side of locked grooves for real djs!

hot on the heels of the co-release between especial and cocktails d amore music of the sfire remixes ep (ees023/cda013) comes an accompanying release with a pair of deeper, stripped back remixes from the inimitable timothy j fairplay and willie burns.

soul klassiker von 1976, a & b seite identisch.

volume 2 in trax new re-issue series chicago trax, delves deeper into the archives to unearth more lost tracks from the legendary chicago house label.

trancers, dancers and sweet romancers from our mate willie burns.

repress , after killer releases on the great l.i.e.s. and creme organization labels, willie burns drops a typically varied ep for the trilogy tapes.

willie burns (the trilogy tapes/wt records/ l.i.e.s. records) complements this unusual walk in the woods by absorbing it into his warehouse banger signature. burns rework focuses on micro events of the original to create a sort of granular house version out of them. the adventure continues on a somewhat melancholic turn with we have been here before and sometimes as the b side. while we have been before is a more dancefloor-oriented take to krautrocks signature synthline layering, sometimes is norwells venture into a more techno universe than he’s mostly associated with to come out with a soothing, yet banging work. as digital bonuses, norwell offers glimpse a short but catchy synth jam riddled with different layers of complexity. this piece is then taken into obscurity by farbwechsel records boss s olbricht for a ride into a 80s-cyberpunk club where people are trying to dance their problems away in a dystopian world.

incl willie burns remix, plus five locked grooves

long standing soul man willie (or hill as he usually operates on ppu) returns with three more timeless soul joints.

chupacabras originally from san antonio, tx, first started djing in barcelona, after sweating it out in the underground illegal party scene he became resident at sala neon at nitsa/apolo. actually living in new york, his music has a dusty analog style that nods towards the past while planted firmly in the present. presents his first solo 12inch ep through go finger.

s1 warsaw is back! after last years sampler including crooked disco debut from matat professionals it is time to get back to artists series with warsaw-based producers full lenght ep. dial b for fun time is a perfect soundtrack to memories of 90s teenager spending all day hanging around skate spots, driving car and listening to some noisy mixtapes, watching skateboarding movies and cheesy comedy flicks on vhs tapes or bombing downtown at night. sounds and styles blended in these four tracks vary from early dj shadows sublime beats, soundstreams disco-house pumpin, bjørn torskes nordic moods to mobb deeps lo-fi hardcore hip-hop instrumentals. all served with cheeky sense of humor and dose of irony.

the anonymous man power makes his debut on throne of blood with the labels first release in 2015. closely affiliated with jennifer cardinis correspondant records, hes been making waves across the underground over the past couple years with remixes and releases on labels including hivern discs, eskimo records, ene, infiné, rothmans, and is it balearic? with a debut lp in the can for correspondant and 12inches due on voyeurhythm, renate schalplatten, and discos capablanca, this unknown producer and dj is definitely one to keep an eye on in 2015.

gilb r part of chateau flight with i:cube back on syncrophone recordings with * sir* professor genius aka jorge velez included interpretation by willie burns (l.i.e.s). check this out with special sleeve

willie burns did it again...

belfast s sex lies magnetic transposes it s latest tape release onto double wax, a dissonant collection of willie burns guises, a compilation of sounds falling in and around ambient, claustrophobic psychedelia, dark electronica and 4 a.m basement house.

dcs maxmillion dunbar drops in on hot haus recs with a low slung 90s house jam backed with a remix from brookylns willie burns. not content with dropping one of 2013s most nacclaimed albums: house of woo, max d started 2014 with releases on trilogy tapes, a split with 4 heros dego on berceuse heroique, an ep on l.i.e.s and now brings the heat to hot haus recs in effekt. willie burns, a regular creme organisation, ttt & l.i.e.s affilate.. no stranger to the world of uttu drops a sleazy sci fi rework, a 7am drizzly affair that is either going to work or heading home ... we cant decide.

damian lazarus and the ancient moons debut single on crosstown rebels gets remixed by carl craig & willie burns. the original version of *lovers eyes (mohe pi ki najariya)* is the first release from lazarus new collaborative artist project, and is quickly becoming one of this years anticipated records. now, hot on its heels comes two killer remixes to compliment the original.

hell yeahs tradition of serving up great remix eps continues here with a new two-track effort featuring willie burns and young marco. the original material is taken from super hot italian electronic duo tempelhof and their stunning latest album, frozen dancers, which released on hell yeah back in late 2013 and garnered plenty of praise from press and punters alike.

if you have ever wondered what it would have sounded like if can grew up going to see ron hardy at the music box and then recorded an album together with francis bebey in the congo, the debut record from black deer may be just for you.
the work of prolific brooklynite william burnett, whose aliases include willie burns, grackle, speculator, galaxy toobin (with eliot lipp), pg&s (with jorge velez) and smackulator (with legowelt) is psychedelic in the truest sense of the world. sprawled across six tracks, burnett fuses various outsider loner genres unto one definitive vision quest all his own, that of the black deer.
limited edition of 400 copies with hand assembled black foiled museum board on silkscreened covers. features fold-out poster and stamped labels by artist marion guillet.

willie burns delivers 4 amazing house jams for unknown to the unknown.